*20 / "STALKING A HURRICANE" / WHY ARE THERE FEWER DEATHS AND LESS PROPERTY DAMAGE /FROM HURRICANES? ARE THE "BIG WINDS" GETTING WEAKER? OR /FEWER IN NUMBER? / NOT AT ALL. THE HURRICANE REMAINS ONE OF THE MOST /POWERFUL FORCES ON EARTH. DURING THE 1952 HURRICANE /SEASON, SIX OF THESE COLOSSAL WHIRLWINDS ROARED THROUGH /THE AMERICAN TROPICS WITH MOMENTUM ENOUGH TO CARRY /SEVERAL OF THEM ON INTO NORTHERN AREAS AS THE WORST /STORMS OF THE YEAR. BUT PROPERTY DAMAGE SET NO RECORDS, /AND NO DEATHS COULD BE ATTRIBUTED DIRECTLY TO ANY OF THEM / YET IN 1935 A HURRICANE WHIPLASHED ACROSS FLORIDA AND /THE DEAD TOTALED 400. IN 1928 ANOTHER FLORIDA HURRICANE /TOOK 1,800 LIVES. AT GALVESTON, TEXAS, IN 1900, A HURRI- /CANE KILLED MORE THAN 6,000, AND AS LATE AS 1942 CASUAL- /TIES FROM THE BIG WINDS WERE STILL NUMBERED IN SCORES. / THE EXPLANATION OF REDUCED CASUALTIES AND SMALLER PROP- /ERTY DAMAGE IN RECENT YEARS IS, IN THREE WORDS: BETTER /ADVANCE WARNING... / DURING THE PROGRESS OF A MAJOR HURRICANE THE MIAMI /HURRICANE WARNING CENTER, FOR EXAMPLE, ISSUES FOUR /"ADVISORIES" - WEATHER VERSIONS OF A WARTIME COMMUNIQUE - /DAILY, BASED ON REPORTS RECEIVED DURING THE PREVIOUS SIX /HOURS. EACH WEATHER BUREAU OFFICE IN THE NETWORK THEN /DISTRIBUTES THE FORECAST AS WIDELY AND AS RAPIDLY AS POS- /SIBLE. PRECAUTIONS AGAINST HURRICANE DAMAGE - SUCH AS /BOARDING UP HOUSES AND SHOPS, FLYING PLANES TO SAFER /REGIONS, MOVING SMALL CRAFT, ETC.- ARE EXPENSIVE, SO /EVERYONE WANTS TO KNOW: "IS IT THE REAL THING?" / IN THE MEANTIME A SEARCH PLANE HAS MADE CONTACT WITH /THE ENEMY. FAR AHEAD THROUGH THE RAIN SQUALLS THE PILOT /SEES A DARK, OMINOUS-LOOKING MASS OF WHIRLING CLOUDS, /MIST, AND WATER THAT SEEMS TO REACH UP INTO THE HEAVENS /AND STRETCHES FULLY 30 MILES FROM SIDE TO SIDE. / WHEN THE PLANE RADIOS CONFIRMATION OF THE HURRICANE"S /EXISTENCE, THE FIRST ACT OF THE HURRICANE WARNING CENTER /IS TO GIVE IT A NAME. IF THIS IS THE SECOND HURRICANE OF /THE SEASON, IT MIGHT BE CALLED "BAKER," FROM THE INTER- /NATIONAL PHONETIC ALPHABET USED IN RADIO VOICE COMMUNIC- /ATIONS. THE FIRST MIGHT HAVE BEEN CALLED "ABLE," THE /THIRD MIGHT BE "CHARLIE," ETC. / BECAUSE A HURRICANE"S SAFEST POINT OF ENTRY IS USUALLY /ITS WESTWARD SIDE, THE PLANE APPROACHES FROM THE WEST. /AND FROM NOW ON, EVERY 15 MINUTES INFORMATION OBTAINED /FROM METEOROLOGICAL INSTRUMENTS AND BY RADAR WILL BE /RADIOED TO MIAMI. / THE PILOT BRINGS THE PLANE DOWN TO AN ALTITUDE OF 800 /FEET - OR EVEN TO 400 FEET IF VISIBILITY IS POOR. THE /PLANE SHUDDERS AND SHAKES AS IT BUCKS THE OUTER RINGS OF /LIGHT THUNDERSTORMS AMD 35-MPH WINDS WHICH TRY THEIR /HARDEST TO DRIVE IT SOUTHWARD. / AFTER NEARLY AN HOUR OF SAMPLING THE AIR ON THE FRINGES /OF THE HURRICANE, THE PILOT HEADS DIRECTLY INTO IT. THE /HEAVY, FOUR-ENGINED SHIP PITCHES AND YAWS, DIVES AND /SOARS AGAIN, UNTIL ITS CREAKING FRAME SEEMS TO BE TEARING /APART. SEA AND SKY DISSOLVE IN PELTING RAIN AND SPRAY, /AND THE SHRIEKING WIND DROWNS OUT EVEN THE ROAR OF THE /ENGINES, STRAINING AT FULL THROTTLE. / AN INTERMINABLE QUARTER OF AN HOUR OF THIS - AND /SUDDENLY THE PLANE BREAKS THROUGH THE STORM INTO THE /CLEAR. ALL PITCHING AND TOSSING CEASES, THE HOWLING GALE /QUIETS AS IF A VALVE HAD SHUT IT OFF, AND BRIGHT SUNSHINE /POURS THROUGH THE DRENCHED WINDSHIELD. DOWN BELOW, THE /SEA SHOWS A FEW WHITECAPS, BUT THE WHOLE ASPECT IS ONE /OF PEACE AND CALM. THE TRANSITION IS SO SUDDEN AND UN- /EXPECTED THAT IT COMES AS A SHOCK, EVEN TO CREWS WHO HAVE /EXPERIENCED IT MANY TIMES. / THIS STRANGE WORLD, CALLED "THE EYE OF THE HURRICANE," /IS ONE OF THE WEIRDEST, MOST AWESOME SIGHTS ON EARTH. THE /EYE IS ROUGHLY CIRCULAR. ITS BOUNDARY IS A VERTICAL CUR- /TAIN OF BLACK, REACHING FROM THE OCEAN FAR UP TO THE OPEN /SKY ABOVE. IT IS DIFFICULT TO BELIEVE THAT BEYOND THIS /EBONY CYLINDER, NOW 10 TO 15 MILES IN DIAMETER, IS A /WATERY CHAOS, REVOLVING FURIOUSLY IN A COUNTERCLOCKWISE /DIRECTION AS IT IS DRIVEN BY GALES OF FROM 180 TO 200 MPH / STRANGE THINGS HAVE BEEN OBSERVED BY PLANES CRUISING /THROUGH "THE EYE." FLOCKS OF BIRDS SOMETIMES TAKE REFUGE /THERE, MOVING ALONG WITH THE COMPARATIVE SAFETY OF THE /STORM"S VORTEX, WHICH MAY HAVE A FORWARD MOTION OF ONLY /10 TO 15 MPH. SHIPS SOMETIMES SEEK "THE EYE" TO RIDE OUT /THE WORST OF THE STORM"S VIOLENCE BEFORE RESUMING THEIR /COURSE. ONE PLANE OBSERVED A FISHING BOAT, WITH THE CREW /ON DECK SUNBATHING, WITHIN A HURRICANE"S EYE. / AS THE HURRICANE-STALKING PLANE CRUISES AROUND THE EYE, /THE "DROPSONDE" OPERATOR GOES INTO ACTION. AS THE /DROPSONDE, AN INSTRUMENT DROPPED FROM PLANE BY PARACHUTE, /SLOWLY DESCENDS IT AUTOMATICALLY RECORDS ATMOSPHERIC /PRESSURE, TEMPERATURE, AND HUMIDITY OF THE AIR, AND /RELAYS THESE TO THE PLANE BY A SELF-CONTAINED RADIO /TRANSMITTER. / BUT NOW THE FUEL IS GETTING LOW, SO THE PILOT PLUNGES /BACK INTO THE BLACK WALL OF THE HURRICANE, CHOOSING THE /WESTERN OR "WEAK" SIDE, WHERE, EXPERIENCE HAS TAUGHT HIM, /A HEARTY TAILWIND CAN BE PICKED UP. FIFTEEN MINUTES MORE /OF FURIOUS BUFFETING, AND THE TIRED CREW HEADS FOR THE /BARN, CLIPPING THROUGH SQUALLS THAT WOULD BE BYPASSED BY /ORDINARY PILOTS. / ALTHOUGH MANY HURRICANES SIMPLY VEER BACK OUT TO SEA /AND FINALLY SUBSIDE IN THE COLDER CLIMATE OF THE NORTH /ATLANTIC, EACH OF THEM IS CONSTANTLY PURSUED BY THE /WATCHER PLANES, WHICH RADIO BACK VITAL INFORMATION NEEDED /TO CHART ITS COURSE AND TO WARN SHIPPING AND OTHER PLANES /IN ITS PATH. / WHAT ACTUALLY CAUSES A HURRICANE? / SCIENTISTS HAVE TWO THEORIES. ONE, THE CONVECTION /THEORY, HOLDS THAT IT STARTS WHEN A LARGE MASS OF WARM /AIR RISES IN THE DOLDRUMS OF THE OPEN ATLANTIC, EAST AND /SOUTH OF THE WEST INDIES. SEA-LEVEL AIR RUSHES IN TO /REPLACE THE VACUUM LEFT BY THE RISING WARM AIR. THE /ROTATION OF THE EARTH DEFLECTS THE SLOWLY-MOVING AIR MASS /INTO A COUNTERCLOCKWISE SWIRL. SOON A VIGOROUS WIND /SYSTEM IS SET UP, AND A FULL-BLOWN HURRICANE IS ROARING /ON ITS WAY. ALTHOUGH IT APPEARS TO TAKE GENERALLY A WEST- /WARD COURSE, THE EARTH ACTUALLY MOVES EASTWARD UNDER IT. / THE SECOND THEORY IS THE COUNTER -CURRENT THEORY. IT /EXPLAINS THAT OPPOSING TRADEWINDS, WARM AND COLD, CAUSE /THE INITIAL AIR LIFT; THEREAFTER IT IS LIKE THE OTHER /THEORY.